Avoiding Mastery: the paintings

Avoiding Mastery: Whitespace Contemporary Art 2014 

Mastery, according to the Webster dictionary is knowledge and skill that allows you to do, use, or understand something very well and a state of having attained complete control of something.

My conundrum as an artist is that, whilst ‘understanding something very well’ might seem an appealing and mature virtue, its close association with having ‘complete control of something’ raises a warning flag that the cul de sac of orthodoxy lies in wait.

In art, to understand something so well as to control it runs the risk of remaking and refining something that you already know, and that your audience also knows and recognises; a closed circuit of mastery and applause. Less prone to success, but arguably more interesting is the strategy of avoiding the possibility of control, deliberately pursuing unknowing, cultivating areas of non-skill and embracing unpopular and little understood vernaculars as a vehicle for art making.

To put it more simply, maybe I think of art as a half wild pony, rather than the dressage mount. Which is not to say that there is anything wrong with dressage; I just prefer a little more excitement.

 

Dreaming of Iccarus, 2013 900 x1500mm acrylic on board
Dreaming of Iccarus, 2013
900 x1500mm
acrylic on board
True Romance 900 x 900mm acrylic and laser transfer on board
True Romance
900 x 900mm
acrylic and laser transfer on board
The Watcher II 900 x 900mm acrylic on board
The Watcher II
900 x 900mm
acrylic on board
Pink Pop Remix 900 x1500mm acrylic and laser transfer on board
Pink Pop Remix
900 x1500mm
acrylic and laser transfer on board
L.O.V.E. 2013 900 x 900mm acrylic on board
L.O.V.E. 2013
900 x 900mm
acrylic on board

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